This is a call Reactor Sukhoi Su-22 manufactured in the Soviet Union 1976.
Exif:
Exif:
Nikon D700
Objective 14-24mm to 18mm.
Diafragma F8
ISO 200
Exposure time: 160,4with
WB 2.780K
Flash SB 900 con gel verde
Maglite Flashlight 3D warm light and MiniMaglite
Variable geometry aircraft tactical land-attack. Have served in the Air Forces of the Warsaw Pact countries and some non-aligned Countries, participating in international conflicts as The Six Day War, the invasion of Afghanistan in 1979 or the Iran-Iraq 1980.
As you can see we have a long-exposure night photography. The first thing to note is that no retouching beyond levels adjustment and unsharp mask.
The illumination was carried out between two people: one of them lit up with lanterns warm light of the aircraft fuselage with soft emphasizing light past the fuel tank and the bottom of the plane for being in complete darkness.
The other person places a flash behind a wheel and facing the camera angle to get the lighting you see on the ground. Leaving the flash frame with a trigger to the power that had been tested before the final shot.
This operation is repeated on the wheels and the front Tolba on the front of the aircraft.
The white balance manually adjusted considering the existing light pollution at the time of making.
All this is a perfectly coordinated team effort not to be lit while walking by the frame.
The exposure time was determined by the speed of the clouds that were in the sky over Madrid. A short exposure time would have left too fluffy clouds with values of calm, antagonistic to this illumination. An exposure time too long have caused the sky was completely overcast.
Observed velocity clouds are chosen to show the time that you see in the EXIF as they bring great energy and contrast values in the image.
On the composition highlights the direction opposite to the aircraft in which they are the clouds and causing more visual surprise in the spectator.
The aircraft located at the rear light received by flashlight to contextualize the main subject and was not surrounded by black hardcover.
Mario you are a crack in every way. Do not mind sharing your knowledge in a disinterested and that it shows little in this world.
Thank you for teaching that technique wonderful night photography. I have much to learn.
The picture as usual no comment, is …………..and also great.
A greeting. Marisa.
Sharing is the best way to learn Marisa… Do not give thanks; is pure selfishness
Hello Mario, I've always wanted to ask that you use unsharp mask. I imagine that will be the Photoshop, not very high values What values you give?. Or a high-pass filter also in Ps?
Well Champion, a hug, I'm glad to see that you do not stop, I follow all your step, you know.
I'll make a tutorial soon Fran.
I love Mario is spectacular, the lighting is perfect, say you've filled the glass of water without overflowing. By the way Fran asks you focus on ps but I've been behind a time block for ultra d700 and after reading many reviews seems that a the 14-24 2.8 Nikon is the ultimate in angle is said to be “optically perfect” so I wondered if that clarity and definition and flatness, should not use this optical and “perfection” and if so, to see if I dared to disgorge the Paston worth and I think I need a little help from someone who has that would confirm its benefits. Greetings and machine is so.
For me there is any lens, is the slow.
Hahahaha I think that clarifies my doubts thanks Mario.
Thanks Mario!
An excellent explanation, course. At the level of work you have done.
Sorry for the part of another plane that broke into the scene and is illuminated… But what had, ¿verdad?
A photon, friend!
HELLO!
Conscience is enlightened to contextualize the subject and who has not bound in too much black around.
Regards
Awesome Mario. Too bad you could not see you in action in Requena. Thank you very much for the explanations. It would have been luxury hubiéseis recorded a video with those 160 seconds to see how the moves by the scene
That video is more than think what happens is that in order to record who should light is illuminating the scene and then the picture would collapse…
Perhaps with a f1.4 and ISO 12.800 could be a situation of being in bright ambient light.
Everything will come…
As Fusky says it is unfortunate that some planes are so close to the other (When are we in Spain museums of this type with site conditions, as in the rest of the world?)
Thank you very much for sharing as was. You are great trunk.
When making the distribution of this museum I am sure that it thinks fit that many of us who like to photograph.
We should give us a tour of Arizona…
http://www.fotografonocturno.com/tuc-son
A hug!
Mario.
This is one more of your night shots to which we have accustomed. Sounds good to expose the EXIF and tell us how you make them, have much to learn. By the way I already purchased a small flashlight, a front, and supermaravillosa, total paste, I just need to start doing night shots, and I did one this summer at the beach, I'm not that good bad, but I need to lead on the issue. With your photos you make me long teeth.
Vincent comes to see if there will be more photos flashlights!
Cane spirits and to give!
Congratulations Mario, simply spectacular, for someone to be started in photography as I, this is wonderful.
It's a picture I guess you have done to get the best of your knowledge and sure to be thinking about the following, I pointed to hold, lead, …so you need. The 29 I hope to see (books). A hug
Rafael Friend, you were right in.
See you on Tuesday.
Hugs.
The composition seems very good, well in my assessment, have been “luck” the clouds seem to form another plane that is moving toward the viewer. Spectacular. A greeting.
Glad you like it.
Regards.
Mario Good, I'm new to this and I love night photography but I have many doubts. How exactly light up all those parts, you should illuminate it from outside the plane not to leave the photos do not? Or put the headlights and leave them on in all decision??
I hope you can answer me and get me out of these doubts. In podrías me if you provide a course interesting to see here on the internet?
Thanks in advance
You can be in the frame and not be in the picture. You have to worry about not stand still and that your camera does not see the flashlight with which illuminate. The headlights are not left to be quiet but moving.
The course for which you ask me what you have here:
http://www.fotografonocturno.com/articulos/materiales-multimedia-y-pdfs
Regards